Immaterial materialities March 7, 2012 Call for Papers
The University of Technology Sydney, Schools of Architecture and Design, 28–30 November 2012 keynote speakers: Professor Jonathan Hill, The Bartlett – University College London Professor
Philip Ursprung, Eidgenössische Technische Hochschule Zürich
Materiality has recently claimed centre stage in architectural discourse and practice, yet its critical meaning is ever receding. Tropes like material honesty, digital materiality, material responsiveness and dematerialisation mark out an interdisciplinary field where scientific fact and artistic experimentation interact, and where what in fact constitutes materiality and immateriality is constantly re-imagined. As a reaction to developments in science, materiality came under scrutiny with the emergence of nineteenth century German aesthetics (Vischer, Schmarsow) and the early avant-garde projects (Lissitzky, van Doesburg). Initiating an epistemic shift in art and architecture, these works pointed to the connection between the material properties of objects and spaces and their interaction with the inhabitant through psycho-perceptual effects. These ideas re-emerged transformed in the work of the Neo-avant-garde of the 1960s and 70s. More recent approaches deploy materials as mediators or activating agents that probe the relationship between audience/user and physical environment: Spatial investigations with phenomena-producing materials such as water, light, colour and temperature experiment with the viewer’s experience (Eliasson); responsive high-tech materials interact with audiences (Spuybroek); weather architectures (Hill), or atmo architectures (Sloterdijk) technologically re-create nature as spatial experience (Diller and Scofidio).
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