Arch. Myriam B. Mahiques Curriculum Vitae

Saturday, October 23, 2010

Transculturación

Gran Muralla china. Foto bajada de destinomundial.com
En el Norte de la Ciudad Prohibida, el viejito mira con desconcierto la obra arrasadora de las empresas constructoras, y le dice a su esposa que los nuevos edificios de concreto con sus techos curvados, son como esas imitaciones que se fabrican en ese famoso Estudio de películas de Estados Unidos, a su edad, no recuerda ya el nombre.....
Bien al Sur de los Universal Studios, el señor lee la noticia perplejo y se cuestiona si ese muro fronterizo que planean construír, terminará siendo una réplica de la Gran Muralla china....
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Friday, October 22, 2010

Meditation on an Asian courtship


Tangram sidewalk SMIBE from Nino Heirbaut on Vimeo.


The video is related to Tangram: puzzles with Euclidean figures
http://www.npr.org/blogs/krulwich/2010/10/13/130535691/tricky-tangrams

La renovación de la zona histórica de Qianmen

Modernos tranvías en la zona de Qianmen. Foto de Revista Eñe
Artículo de Andrew Jacobs para The New York Times y Clarín:
Mao durmió aquí.
También lo hicieron los eunucos imperiales que quedaron desocupados luego de la expulsión del último emperador de China.
Durante buena parte de los setecientos años siguientes, sin embargo, los habitantes más prominentes del barrio Gulou, ubicado al norte de la Ciudad Prohibida, fueron un par de enormes torres de ladrillos cuyos tambores y campanas ayudaban a los ciudadanos de Beijing a saber qué hora era.
Hace poco, la población del barrio cuenta los días para que las cuadrillas de construcción empiecen a convertir sus trece deterioradas hectáreas en una cuidada atracción turística llamada Beijing Time Cultural City. La reorganización de 73 millones de dólares que dominan las antiguas Torres de Tambores y Campanas comprenderá casas con jardín para los ricos, un museo "de la hora" y un centro comercial subterráneo. Desde que se anunció el proyecto en enero, historiadores y expatriados que aman la antigua autenticidad de Beijing se muestran alarmados.
"No se trata de preservar un monumento histórico, sino de salvar una comunidad viva que tiene centenares de años de evolución", dijo Yao Yuan, un profesor de la Universidad de Beijing que se especializa en planeamiento urbano.
Sin embargo, es más difícil encontrar indignación entre las miles de familias pobres que viven en el conjunto de míseras casas de ladrillo gris coronadas por tejas vacilantes. "Hay que demoler el lugar", señala Zhou Meihua, de setenta y dos años, que comparte dos cuartos de 18,6 metros cuadrados con tres generaciones de su familia. "Si nos dan una indemnización suficiente, nos alegrará irnos de aquí." Los funcionarios del gobierno tienden a alentar esos sentimientos no mejorando las condiciones de vida en los barrios antiguos para preservar su arquitectura histórica. En lugar de ello, toman propiedades de la ciudad que consideran antihigiénicas e inseguras, las reclasifican como propiedades comerciales y las venden con grandes ganancias. La concesión a la historia suele consistir en alguna construcción nueva con aleros dados vuelta y madera pintada de forma llamativa colocada en fachadas de hormigón.
Los constructores ignoran la ley o usan palabras como "histórico" y "restauración" para describir construcciones que son a todas luces nuevas. Los críticos señalan que el mejor ejemplo de esa tendencia puede verse al sur de Plaza Tiananmen, donde el distrito de compras más famoso de la ciudad, Qianmen, se vio reemplazado por una copia sin alma, pero cara, de lo que era.
"La renovación de Qianmen no se relaciona con la preservación de la historia, sino con su transformación en una versión falsa de Hollywood", dijo Yao, el profesor de planeamiento urbano.
Vista desde la torre del tambor. Foto de Nuria Cimini
Torre de la Campana. Foto de Nuria Cimini
Torre del Tambor. Foto de volver.Asia
Luo Zhewen, un experto en arquitectura que asesora al gobierno en la zona de Gulou, señala que la protesta respecto del patrimonio perdido es exagerada.
Luo, que tiene ochenta y siete años e integra desde hace mucho tiempo la Dirección Estatal de Patrimonio Cultural, dice que muchas de las casas de la zona no eran más que chozas glorificadas. Cuando se le preguntó por los habitantes, Luo contestó con seguridad: "Las ciudades siempre cambian y se desarrollan." Vaciar Gulou puede resultar más difícil. A la hora de las indemnizaciones, muchas personas tienen grandes expectativas y dicen que no se irán a menos que el dinero les permita comprar departamentos grandes.
Algunos, como Zhou Changlin, un obrero desocupado de cincuenta y tres años, dicen que sólo se irán si se los reubica en una vivienda muy parecida a aquella en la que nacieron y se criaron.
"Tengo que sentir la tierra bajo los pies", afirmó. "Oí decir que los ancianos que se mudan a edificios altos suelen morirse en el transcurso de los tres años siguientes."
Lea el artículo de Nuria Cimini:

Thursday, October 21, 2010

California´s new Green Building Code: An interview with Dave Walls

From Green Technology Magazine:
California’s groundbreaking green building code, CALGreen, becomes mandatory on January 1, 2011. Its effects will be far-reaching. By codifying many aspects of green building, CALGreen ensures that energy efficient and sustainable design will become routine in California. In his second interview with Green Technology Magazine, Dave Walls, executive director of the California Building Standards Commission, discusses the genesis of the codes and why this is the right time in history for them to be coming online.
In the evolution of CALGreen what kind of stakeholder groups were engaged? How comprehensive was the development process?
We really reached out to anybody that we thought had any interest in codes. These included CBIA [California Building Industry Association], architects, designers, BOMA [Building Owners and Managers Association] and CBPA [California Business Properties Association]. I really knew that we needed all of this. That was a big part of it. We also reached out to model code-writing bodies because they have a lot of experience in codes and in background and publishing, so they participated. We reached out to our other state agencies that are very much involved in environmental issues, such as the Air Resources Board, the Integrated Waste Management Board [now CalRecycle], the California Energy Commission, the Department of Water Resources, as well as the Department of General Services that has been doing state buildings with the LEED process, making them green.
Of course, we also included the point green building certification groups USGBC [US Green Building Council] and Build It Green and environmental groups like the Sierra Club, NRDC [Natural Resources Defense Council] and EDF [Environmental Defense Fund]. We really tried to bring an entire spectrum of people and groups with different perspectives and expertise to build a consensus. That was our attempt and our effort – if we were going to put something in the code we wanted to make sure it was right. So you bring the experts in and then you can have that discussion, and all the meetings were open and public. They were also announced beforehand so that anybody who wanted to attend and had any feelings about it, one way or the other, could make their opinions known, either in writing or in person.
How long did this process run?
Our first focus group was in July of 2007, though we actually started engaging in the process about three to four months earlier than that. We had a number of meetings - group meetings as well as with individuals - to talk about specific issues all the way through probably October or November of 2009.
We’re talking about more than a three-year process of developing our first code, our 2008 code, and then moving this forward with the same groups of people to get to the 2010 code. Some were more engaged at times than others, and some were more focused on certain parts of the code than others, but it really was a very open and transparent process. As we developed our approach we’d put content on our website or we’d send material out to the focus groups so it could be read before our meetings, and could then be used to make informed decisions or comments or recommendations.
Why did CALGreen development take place in California now, at this time in history?
The Governor came to us and asked us what we could do to green the codes. That was the impetus. I think his policies as well as those of others in leadership in California had us headed in such a direction. I also think USGBC, with LEED and other programs, had been leading the way and really changed a lot of the public perception of what green is, and that changed the whole movement.
We’re in an economic downturn – there could be any number of reasons why, with the potential of adding costs and requirements both on the enforcement side and the building side, this could have been pushed off. Why wasn’t it?
I think, again, the timing was right. We had support from the industry, which clearly understands the issues relating to cost. We focused on that – it was a big part of the process to keep the provisions in the code attainable, reasonable, and not something that would hurt or have a negative impact on the construction industry and its recovery.
You’ve got to move forward and the industry will move with it. You’ve just got to make sure that you work hand-in-hand with them. There’s always a reason not to do it - you’ve just got to move forward and make sure that what you’re doing is significant yet realistic, keeping the cost impact or financial impact as minimal as possible while still getting a solid environmental impact.
So often you see a contest being played out between preserving the environment and the associated costs. Do you think that the building industry saw the inevitability of greener buildings with better energy conservation, water conservation, and resource utilization?
I believe they did, yes. I believe they saw it coming, as we all really did. It was either get engaged and help ensure the process is a good one and the results are good and positive, or stand back and fight it and not know what you’re going to get.
They engaged and ultimately supported what is currently the 2010 California Green Building Standards Code. They want to continue to be engaged in that process, so, as the industry recovers, I’m sure there’ll be more and more things that get into the code that make sense. Costs, as things become more mainstream, usually start coming down and just start kind of fitting into the process.
You worked closely with many environmental organizations that had input concerning sustainable construction and the components of the green code. How did you elicit their support? I know there were concerns that CALGreen wasn’t as strict in some of these requirements as it might be.
I think it always starts out that way when you’re dealing with a new code or new effort. You have sides that feel it’s not stringent enough, and sides that think it’s too stringent. We had to find that balance, as we did with the industry. One of our efforts was to work closely with the environmental groups to ensure that they understood what we were doing and trying to achieve. When you really look at individual buildings or what’s going on in a certain area of the state, it may look like we’re lessening the requirements - but again, we’re trying to set the minimum standards.
Others – local cities and counties or builders – that choose to go above our code can certainly do that. But when you look at the overall scene, and this is what the environmental groups that support us did, and get a picture of the impact that the code is going to have in California, you realize that it’s still moving forward. We’re really not taking a step backwards, as some people think we are. When you can capture 100 percent, or almost 100 percent, of the buildings in the state, as compared to making a considerably more stringent standard that is too difficult to comply with, the balance is there. The overall impact on the carbon footprint is still great.
Do you have a sense of how many green buildings were constructed in California, under say LEED or Build It Green, as compared to the number expected under CalGreen?
I don’t know in terms of numbers of actual buildings, but as we went through the process we looked at what local jurisdictions were doing. When we finalized the code earlier this year, there were roughly 10 percent of jurisdictions in the state doing some level of green building, with a required or voluntary program in place.
Some of them, of course, were the bigger cities. But as you look deeper, bigger cities aren’t always doing the most in terms of new construction. In terms of jurisdictions and size, though, we’ve now captured the 90 percent of the jurisdictions within the state that were doing nothing.
There’s a mandatory commissioning requirement as part of CALGreen for nonresidential buildings. How is this coming into play, since commissioning has never been part of a building code? What assistance can you give to both the building community and building officials?
That is the one piece of the code that is probably the most different for builders and jurisdictions. In areas where they’ve been building under LEED with a LEED commissioning requirement, some people are aware of it. But now under CALGreen we’re talking about all buildings over 10,000 square feet, which is going to greatly increase the use of commissioning.
We understand that commissioning is a new factor to contend with. We have a task force working on guidelines and we’re reaching out to stakeholders statewide. We’re trying to make sure there are enough people out there who are educated and trained to be able to comply. As I said earlier, the one thing we don’t want to do is have a negative impact on the construction industry – but this is also the largest piece in terms of environmental impact in terms of energy efficiency and what we can do. The study we relied on was from the Lawrence Berkeley Laboratories. It showed the cost benefits and the short period of time for payback on commissioning, The environmental impact, the impact on energy usage on a building derived from commissioning are just well worth the effort.
As the January effective date nears for the new mandatory measures, what would you want to convey to building officials, architects, planners, contractors and other industry stakeholders concerning CALGreen?
Embrace the code and learn it. Get your staff educated and trained so you can implement it because it’s going to be here and it’s going to be here quick. It’s all about understanding – understanding the intent of the code and what you’re going to gain from it.
The Commission is already working on the next code review cycle. What do you see in the future for CALGreen?
For the code cycle that will begin at the end of this year, we’re looking at the tweaks and fixes that need to be addressed. With any code and any new provision, once you start trying to implement it, you realize where it worked or didn’t work. As we move forward we plan on improving it, bringing in new technologies, new efforts, or methods that can make the code better and reduce the impact that buildings have on the environment. That’s the goal.
CALGreen appears to have had an influence on the International Code Council and its development of an International Green Construction Code (IGCC). Do you see this continuing?
Well, we’ve been the first state to develop and publish a green code and they did look at our code as one of their resource documents. I participated on the International Green Construction Code committee that did the initial development, and I was able to share some of the things we learned in California with the IGCC committee. That’s been our main impact. I believe there are 29 committee members all together, so there’s considerable influence from around the country as well.
Building codes have really been focused on public safety issues – fire, electrical, seismic, that type of thing. How is it that sustainability moved into codes?
To protect buildings from fire, we have put fire standards in the code. Similarly, we have structural safety design standards for earthquakes or wind. We’ve had our energy code in California since the early 1980’s, we’ve had water conservation features in the code for a long time – many years. People tend to forget this.
I think we’ve just expanded on that. Environmental concerns have really raised the public consciousness. We’ve looked at this and we’ve said, let’s start looking at ways of reducing the environmental impact of buildings.
What better way to do that than with the codes? Our long-term goals are to integrate the provisions into our other codes. Then people don’t suddenly think “oh it’s a green issue and I don’t like green so I don’t want it,” or the other side of it with “it’s not green enough.”
We want it to be “it’s just the way you build” – and it’s going to be sustainable.

Wednesday, October 20, 2010

Escala humana

Coloso. Pintura digital de Myriam B. Mahiques.

El turista disfrutaba de su tour por las ciudades más populares de Europa; o más bien se divertía posando frente a enormes edificios, cuya grandiosidad pétrea, él comparaba con su propia Shangai. En complicados ideogramas, meditaba que si los antiguos habían erigido sus templos hacia el cielo de los dioses, pues ellos también, y no tenían qué envidiarles.
Su ansiedad fotográfica, lo llevó luego a los pies del coloso, quien en un leve instante se le manifestó en su escala rotunda; y fue así que el turista, sintiendo su cuerpo absolutamente empequeñecido, derramó lágrimas por las civilizaciones perdidas.

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Tuesday, October 19, 2010

Cities' personalities in USA

San Francisco. Picture from thoughtmechanics.com
Image from water-keep.com
A very interesting article from infrastructurist.com: (excerpts)
" The September issue of the American Psychologist includes a pair of studies that examine just how certain character traits vary across urban centers in the United States.
One of these studies was conducted by University of Michigan psychologists Nansook Park and Christopher Peterson. While an “urban–rural dichotomy” is often explored in popular culture, the “possibility of variation across cities in the lives of their residents” isn’t studied nearly as often, they write. The work builds off recent observations made by Richard Florida, whose 2008 bestseller Who’s Your City described how the so-called personality of a city indeed reflects the personalities of its residents. As Park and Peterson write:
We root for our local sports teams no matter where we happen to be. We are fond of songs about our own hometowns because they capture who we are. … We carry with us from our place of residence particular feelings, attitudes, norms, values, customs, habits, and lifestyles—city legacies, as it were.
Picture from coolpicturegallery.net
Park and Peterson gathered personality information on 47,369 people from the 50 largest U.S. cities through an Internet survey. They then split these traits into two categories: strengths of the head, which include creativity, curiosity, open-mindedness, and love of learning, and strengths of the heart, which include gratitude, compassion, teamwork, hope, modesty, religiousness.
The top ten “head” cities were: San Francisco, Los Angeles, Oakland, Albuquerque, Honolulu, Seattle, Austin, San Diego, New York, and El Paso. The bottom ten were: Arlington (Texas), Oklahoma City, Omaha, Columbus, Las Vegas, Colorado Springs, Fort Worth, Jacksonville, Virginia Beach, and Dallas.
Meanwhile the ten strongest “heart” cities included the following:
El Paso, Mesa, Miami, Virginia Beach, Fresno, Jacksonville, Omaha, Phoenix, Long Beach, and Nashville. The bottom ten were: Boston, Seattle, San Francisco, New York, Washington D.C., Milwaukee, Memphis, Minneapolis, Portland, and Los Angeles.
The second paper was written by Peter Jason Rentfrow of the University of Cambridge, in the U.K. Rentfrow groups personality traits not by city but region (the above graphic, depicting neuroticism, is from his paper). His findings are based on several surveys covering more than three decades of research and reflecting hundreds of thousands of respondents:
Neuroticism: high in the Northeast and Southeast; low in Midwest, West.
Openness: high in New England, Middle Atlantic, and Pacific; comparatively lower in the Great Plains, Midwest, and Southeastern states.
Agreeableness: high in the Southern regions; low in the Northeast.
Extraversion: high in the Northeast; low in the West.
Conscientiousness: high in the Mountain and West North Central; low in the Pacific and West South Central."
READ the full article:
Posted by Eric Jaffe, October 11th 2010

Sunday, October 17, 2010

IX Feria de Ciencias de la Universidad de Palermo: trabajos sobre sustentabilidad y análisis morfológico urbano, por los alumnos del Instituto Cristo Obrero

Al centro, profesora Ana María Arias Roig
A la izquierda, profesora Miriam Grippo.
En tantos años dedicada a la investigación sobre morfología urbana, he pensado muchas formas de aplicación y transmisión de conocimientos, en un terreno tal vez un poco oscuro en manos de un grupo reducido de investigadores universitarios que adoran la interdisciplina, y saltan del arte a la ciencia, a la sociología, a la física, a la historia, urbanismo y arquitectura.
Lo que jamás imaginé es que el tema podría ser tratado por adolescentes, tan interesados como yo y mis colegas, desde una perspectiva fresca e innovadora.
La responsable de tan maravillosa labor es la profesora de matemática y licenciada en sistemas Ana María Arias Roig.
Luego de varias experiencias en matemática aplicada, este año se propuso a un grupo de alumnos de 4º, 5º, y 6º año del Instituto Cristo Obrero de Villa Soldati, analizar el barrio Soldati en Sur de la Ciudad de Buenos Aires, desde dos puntos de vista relacionados entre sí:
.- La casa sustentable: cuyo objetivo yace en concientizar la posibilidad del cuidado del medioambiente a través de una serie de medidas  tomadas desde el hogar, como el aprovechamiento del agua, los materiales y espacios de la vivienda. Este tema a cargo de la profesora Miriam Grippo.
.- Análisis geométrico-espacial del conjunto basado en la geometría fractal. Este tema a cargo de la profesora Ana María Arias Roig.
He tenido el placer de haber sido contactada por Arias Roig para opinar sobre las conclusiones e intercambiar ideas muy productivas sobre la morfología urbana del barrio citado.
Fotografía aérea del conjunto Soldati
Primera instancia de análisis fotográfico para pasar a imagen binaria
El conjunto habitacional Soldati fue creado en el ámbito del Plan Alborada, que buscaba cubrir el déficit de viviendas entre los grupos de escasos y medianos recursos, sumado al plan de erradicación de villas de emergencia.
Habiendo trabajado en la cátedra del arquitecto Goldemberg del grupo Staff (Goldemberg-Bielus-Krasuk), he conocido muy bien las premisas de diseño de estos conjuntos, entre los cuales también debería mencionar el de Ciudadela, que lleva el triste mote de ¨Fuerte Apache¨. La trama girada responde al asoleamiento y ventilación de los ambientes, y la articulación creaba espacios intermedios que se esperaba fueran de disfrute familiar. La tritorre articuladora fue una innovación del grupo Staff. Lamentablemente, con el paso de los años, estos barrios fueron ocupados por malvivientes que rentaron a sus verdaderos dueños y el deterioro se hizo notable.
Si bien el conjunto se asemeja a las primeras recursiones de algunos fractales como la carpeta de Sierpinski, se concluyó que el conjunto no era un fractal, desde el punto de vista determinista, pero sí tenía tendencia a la fractalidad. Los alumnos encontraron que la dimensión fractal D multiescalar variaba en aproximadamente 1.60 a 1.40 según el grado de detalle considerado; lo cual, es un resultado sorprendente para una geometría que se gestó en una época donde la palabra ¨fractal¨ no se conocía, pero sí era hábito trabajar con traslación y rotación de volúmenes.






Los resultados se graficaron y expusieron en la IX Feria de Ciencias de la Universidad de Palermo, dentro del marco del Primer Congreso de Ingeniería Sustentable y Ecología Urbana. El tema no quedó ahí, los alumnos propusieron otras actividades paralelas, como un rompecabezas fractal. Se prepararon videos, se tomaron fotos, algunas de las cuales reproduzco con el permiso de la profesora Arias Roig.
Los alumnos participantes son:                                     
Sofía Mailén Ballato, Melisa Fe Fourmantí, y Marión Tatiana Aviza, para el grupo de sustentabilidad.
Florencia Vaccaro, Ignacio Gutiérrez, Iván Zarate, Frei Ulloa, Belén Vera, Florencia Mónaco, Dalma Huanca para el grupo de morfología urbana. Cabe citar que estos alumnos son habitantes del barrio, y su análisis ha sido exhaustivo.
Como un plus, ellos analizaron también las trazas de la ciudad de La Plata -como importante ejemplo de ciudad sustentable- y de San Clemente del Tuyú, ésta última por su trazado alejado del damero tradicional, lo cual permite que tenga playas más anchas y sin tanta erosión.
Desde ya, me siento feliz por el emprendimiento, y felicito a las profesoras y alumnos por una labor tan profesional. Ahora espero que otras voces se les unan y la gente se concientice y los ayude a mejorar su habitat, que en definitiva es el de todos.

Saturday, October 16, 2010

Small scale, big change. At MOMA, New York

¨Architecture is rediscovering its social conscience. That’s the message behind “Small Scale, Big Change: New Architectures of Social Engagement,” an exhibition at the Museum of Modern Art.
The show, which looks at 11 projects around the world that have had major social impacts despite modest budgets and sizes, is a rebuttal to the familiar complaint that the profession is too focused on aesthetic experimentation and not enough on the lives of ordinary people. Not incidentally, it is also part of a philosophical shift in the museum’s architecture and design department, which, for most of the eight decades since its founding by Philip Johnson, famously championed architecture’s artistic merits over its social value.
Given that, the big surprise of the show is that so many of the projects are actually good. Organized by Andres Lepik and Margot Weller, the exhibition makes a powerful case that it is possible to create work that is both socially uplifting and architecturally compelling. It’s a notion that dominated architectural thought for much of the first half of the 20th century but that seems so out of keeping with the ethos of the practice today, particularly in New York, that it’s almost jarring.
The show opens with a subtle but clear political message. A wall in the first gallery is dominated by a big photograph of a mud-brick primary school shaded by a cluster of trees in an otherwise barren landscape in Burkina Faso. Designed by Diébédo Francis Kéré and completed in 2001, it’s an appealing building, with a wood truss roof that has the lightness of a tree canopy. But the first impression is of something precariously close to a cliché of socially committed architecture.¨
REFERENCE: Excerpt from the article Real-Life Design: Erecting Solutions to Social Problems. By Nicolai Ouroussoff. For New York Times. Pictures downloaded from the article.
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