Arch. Myriam B. Mahiques Curriculum Vitae

Friday, December 31, 2010

North London Daydreams. By Andrea Levy

Illustration by arch. Matteo Pericoli

When I was young my mum used to complain that I spent too much time daydreaming. That was because I liked to stare at the sky. She thought that while I was dreaming I could be doing something useful as well, like knitting. Now that I am a writer, I have the privilege of daydreaming as part of my job. And I still love to gaze at the sky. The view from my workroom in my North London house has a lot of sky, and I couldn’t work without it. There are never any structured thoughts in my head when I look up. They just come and go and change shape like the clouds.
I have a wonderful view of Alexandra Palace. This is not a royal palace but a 19th-century leisure center for exhibitions and events — a people’s palace, known locally as “Ally Pally.” It was the place from which the world’s first regularly scheduled television transmissions were broadcast, in the 1930s, and the famous antenna is still there. Below it I can see the doors of the studios where modern television began, and I find that thrilling. The palace is still a venue for the occasional exhibition, but mostly it just sits there on the hill, waiting for someone to find a good use for it in this information age.
In the foreground, close to my house, is a school. I have come to know the sounds of that school so well that it has become my clock. As early as 7:30 the first children arrive, twittering into the playground like the first birds of the morning. During the din of their playtimes I always stop working to have a cup of tea.
The school sits among Victorian row houses just like mine, with their jumbled chimney pots and television aerials. When I see them under my mass of sky, with Ally Pally up on the hill, then I know I am home.

Bajo el cielo y las nubes de Londres. De Andrea Levy

Ilustración del arquitecto e ilustrador Matteo Pericoli

Cuando yo era joven, mi madre solía quejarse de que me pasaba demasiado tiempo sumida en ensoñaciones. Eso era porque me gustaba quedarme mirando el cielo. Ella pensaba que yo podía hacer algo útil, como tejer. Ahora que soy escritora, tengo el privilegio de que soñar sea parte de mi trabajo. Y todavía me encanta mirar el cielo. La vista desde el cuarto donde trabajo, en mi casa del norte de Londres, tiene un montón de cielo. Cuando miro hacia arriba, nunca hay en mi cabeza ningún pensamiento estructurado. Mis pensamientos tan sólo van y vienen y cambian de forma como las nubes.
Tengo una maravillosa vista del Palacio Alexandra. No es un palacio real sino un centro recreativo del siglo XIX, destinado a exhibiciones y actos... un palacio del pueblo, al que llaman Ally Pally. Fue el lugar desde donde se hicieron las primeras transmisiones televisivas regulares del mundo, en la década de 1930, y la famosa antena aún sigue allí. El palacio todavía es la sede de ocasionales exhibiciones, pero en general simplemente está allí, en lo alto de la colina, esperando que alguien le encuentre utilidad en esta era informática.
En primer plano, cerca de mi casa, hay una escuela. He llegado a conocer tan bien los sonidos de esa escuela que se han convertido en mi reloj. Temprano, a las siete y media, llegan los primeros niños. Durante el período de bulla de sus recreos siempre dejo de trabajar para tomarme una taza de té.
La escuela se inserta en una fila de casas victorianas como la mía, con su mezcolanza de chimeneas y antenas aéreas de televisión. Cuando las veo bajo mi masa de cielo, con Ally Pally en la cima de la colina, sé que estoy en casa.

Andrea Levy . Londres, 1956
Sus padres son jamaiquinos; llegaron a Inglaterra en 1948. Ella comenzó a escribir después de los 30 años. Su primera novela, Every Light in the House Burnin', de 1994, fue un gran éxito, y la cuarta, Pequeña isla (Anagrama), de 2004, fue la ganadora del Whitbread Book of the Year
Traducción de Mirta Rosenberg

Thursday, December 30, 2010

Happy New Year! Feliz Año Nuevo!

Digital painting by Myriam B. Mahiques
Felicidades a los lectores, a los que están allí, compartiendo, leyendo....Que tengan un excelente 2011!
Greetings to all readers, to those who are there, sharing, reading.... Have an excellent 2011!

Selection of paintings by Michael Gutteridge

Chinese New Year Celebrations in Albert Square (40x50cm. Acrylic on board.) 

St. Mary’s Gate (40x50cm. Acrylic on board) Painted 2004

Parked Cars (40x50cm. Acrylic on board) Painted 2002

Beautiful points of view in the City. Keep on enjoying Michael´s paintings:

Beatles Crosswalk Gains Historic Protection


The north-west London zebra crossing traversed by the Beatles one bright morning 41 years ago - and visited by musical pilgrims ever since - has has been granted Grade II listing.
The heritage minister John Penrose took the unusual decision to protect the crossing, which provided the cover shot for Abbey Road album, following advice from English Heritage.
Although the listing is the first of its kind, the Abbey Road studios where the 1969 album was recorded, won similar recognition this February.
Tourists and music lovers flock to Abbey Road every day. Photograph: Felix Clay
Sir Paul McCartney, whose barefoot stroll across the road gave rise to all manner of absurd conspiracy theories, welcomed the news today. "It's been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake," he said.
Penrose said that while the crossing was "no castle or cathedral", it had "just as strong a claim as any to be seen as part of our heritage" because of its link to the Beatles. He added: "As such it merits the extra protection that Grade II listing provides."
Roger Bowdler, head of designation at English Heritage, said: "the crossing continues to possess huge cultural pull — the temptation to recreate that 1969 album cover remains as strong as ever."
Excerpt from the article by Sam Jones, at Guardian.co.uk

Wednesday, December 29, 2010

The city as a sprawling organism

Illustration by Hubert Blanz
Excerpts from the article at the New York Times: A Physicist Solves the City. By Jonah Lehrer.
¨Although (Geoffrey) West worked for decades as a physicist at Stanford University and Los Alamos National Laboratory, he started thinking about leaving the field after the financing for the Texas superconducting supercollider was canceled by Congress in 1993. West, however, wasn’t ready to retire, and so he began searching for subjects that needed his skill set.
Eventually he settled on cities: the urban jungle looked chaotic — all those taxi horns and traffic jams — but perhaps it might be found to obey a short list of universal rules. “We spend all this time thinking about cities in terms of their local details, their restaurants and museums and weather,” West says. “I had this hunch that there was something more, that every city was also shaped by a set of hidden laws.”
And so West set out to solve the City. As he points out, this is an intellectual problem with immense practical implications. Urban population growth is the great theme of modern life, one that’s unfolding all across the world, from the factory boomtowns of Southern China to the sprawling favelas of Rio de Janeiro. As a result, for the first time in history, the majority of human beings live in urban areas. (The numbers of city dwellers are far higher in developed countries — the United States, for instance, is 82 percent urbanized.) Furthermore, the pace of urbanization is accelerating as people all over the world flee the countryside and flock to the crowded street.
Illustration by Hubert Blanz
This relentless urban growth has led to a renewed interest in cities in academia and in government. In February 2009, President Obama established the first White House Office of Urban Affairs, which has been told to develop a “policy agenda for urban America.” Meanwhile, new perspectives have come to the field of urban studies. Macro­economists, for instance, have focused on the role of cities in driving gross domestic product and improving living standards, while psychologists have investigated the impact of city life on self-control and short-term memory. Even architects are moving into the area: Rem Koolhaas, for one, has argued that architects have become so obsessed with pretty buildings that they’ve neglected the vital spaces between them.
But West wasn’t satisfied with any of these approaches. He didn’t want to be constrained by the old methods of social science, and he had little patience for the unconstrained speculations of architects. (West considers urban theory to be a field without principles, comparing it to physics before Kepler pioneered the laws of planetary motion in the 17th century.) Instead, West wanted to begin with a blank page, to study cities as if they had never been studied before. He was tired of urban theory — he wanted to invent urban science.
For West, this first meant trying to gather as much urban data as possible. Along with Luis Bettencourt, another theoretical physicist who had abandoned conventional physics, and a team of disparate researchers, West began scouring libraries and government Web sites for relevant statistics. The scientists downloaded huge files from the Census Bureau, learned about the intricacies of German infrastructure and bought a thick and expensive almanac featuring the provincial cities of China. (Unfortunately, the book was in Mandarin.) They looked at a dizzying array of variables, from the total amount of electrical wire in Frankfurt to the number of college graduates in Boise. They amassed stats on gas stations and personal income, flu outbreaks and homicides, coffee shops and the walking speed of pedestrians.
After two years of analysis, West and Bettencourt discovered that all of these urban variables could be described by a few exquisitely simple equations. For example, if they know the population of a metropolitan area in a given country, they can estimate, with approximately 85 percent accuracy, its average income and the dimensions of its sewer system. These are the laws, they say, that automatically emerge whenever people “agglomerate,” cramming themselves into apartment buildings and subway cars. It doesn’t matter if the place is Manhattan or Manhattan, Kan.: the urban patterns remain the same. West isn’t shy about describing the magnitude of this accomplishment. “What we found are the constants that describe every city,” he says. “I can take these laws and make precise predictions about the number of violent crimes and the surface area of roads in a city in Japan with 200,000 people. I don’t know anything about this city or even where it is or its history, but I can tell you all about it. And the reason I can do that is because every city is really the same.” After a pause, as if reflecting on his hyperbole, West adds: “Look, we all know that every city is unique. That’s all we talk about when we talk about cities, those things that make New York different from L.A., or Tokyo different from Albuquerque. But focusing on those differences misses the point. Sure, there are differences, but different from what? We’ve found the what.”
There is something deeply strange about thinking of the metropolis in such abstract terms. We usually describe cities, after all, as local entities defined by geography and history. New Orleans isn’t a generic place of 336,644 people. It’s the bayou and Katrina and Cajun cuisine. New York isn’t just another city. It’s a former Dutch fur-trading settlement, the center of the finance industry and home to the Yankees. And yet, West insists, those facts are mere details, interesting anecdotes that don’t explain very much. The only way to really understand the city, West says, is to understand its deep structure, its defining patterns, which will show us whether a metropolis will flourish or fall apart. We can’t make our cities work better until we know how they work. And, West says, he knows how they work. (....)
The mathematical equations that West and his colleagues devised were inspired by the earlier findings of Max Kleiber. In the early 1930s, when Kleiber was a biologist working in the animal-husbandry department at the University of California, Davis, he noticed that the sprawlingly diverse animal kingdom could be characterized by a simple mathematical relationship, in which the metabolic rate of a creature is equal to its mass taken to the three-fourths power. This ubiquitous principle had some significant implications, because it showed that larger species need less energy per pound of flesh than smaller ones. For instance, while an elephant is 10,000 times the size of a guinea pig, it needs only 1,000 times as much energy. Other scientists soon found more than 70 such related laws, defined by what are known as “sublinear” equations. It doesn’t matter what the animal looks like or where it lives or how it evolved — the math almost always works.
West’s insight was that these strange patterns are caused by our internal infrastructure — the plumbing that makes life possible. By translating these biological designs into mathematics, West and his co-authors were able to explain the existence of Kleiber’s scaling laws. “I can’t tell you how satisfying this was,” West says. “Sometimes, I look out at nature and I think, Everything here is obeying my conjecture. It’s a wonderfully narcissistic feeling.”
Not every biologist was persuaded, however. In fact, West’s paper in Science ignited a flurry of rebuttals, in which researchers pointed out all the species that violated the math. West can barely hide his impatience with what he regards as quibbles. “There are always going to be people who say, ‘What about the crayfish?’ ” he says. “Well, what about it? Every fundamental law has exceptions.¨
Keep on reading:

Tuesday, December 28, 2010

Clausura preventiva de las urbanizaciones privadas Colony Park y Parque de la Isla

Colony Park. La primera etapa es la que está dentro de la línea negra.
Por fin. Parece que la lucha por defender el Delta del Tigre ha llevado dos años, y no termina aún. Me avergüenzo públicamente de mis colegas y compatriotas corruptos, que llevan a cabo obras bajo la política del ¨hecho consumado¨. Y me alegra que los vecinos se hayan movilizado. No sucedería esto en San Isidro, o Belgrano, donde las comisiones de vecinos son muy fuertes. Y menos aún en EEUU. De hecho, el código en California cambia otra vez, entrando en vigencia el 1o de enero de 2011, junto con el Green Code, basado en normas internacionales. Actos así serían impensables en EEUU, donde hasta edificios de sólo 4 pisos en zonas urbanizadas deben cumplir con las normas LEED.
Acá dejo párrafos de notas acerca de la clausura preventiva de las urbanizaciones privadas de Colony Park y Parque de la Isla, con sus respectivos links. Celebro por los logros de los defensores ambientales y espero que el intendente Sergio Massa pueda llevar a cabo el Master Plan, como corresponde a un país civilizado.

¨La jueza de San Isidro Sandra Arroyo Salgado dispuso preventivamente la clausura de las urbanizaciones privadas Colony Park y Parque de la Isla, situadas en la primera sección de islas del delta del Paraná, pertenecientes al municipio de Tigre. Asimismo, ordenó al Organismo Provincial para el Desarrollo Sostenible el estricto contralor de la medida dictada.
Lo que sucede allí es otra lamentable historia que deja al descubierto cómo una suma de irregularidades e irresponsabilidades por parte de la autoridad y algunos privados transforma en un verdadero desastre ambiental cuestiones que deberían manejarse mediante una planificación, una gestión y un control adecuados, ya que se trata de nuestros más valiosos recursos naturales.
Con una ubicación inmejorable, frente a exclusivos clubes náuticos de la zona norte y a unos mil metros apenas de una de las avenidas más importantes del continente, separados apenas por un canal, los emprendimientos Colony Park y Parque de la Isla parecen ser el lugar perfecto para vivir rodeado de verde y cerca de la ciudad a la vez.
Sin embargo, el desarrollo de infraestructura necesario para llevar a cabo el millonario emprendimiento que se publicita como "isla privada" implica la destrucción de enormes sectores del humedal isleño. Las graves consecuencias que esto acarrea van más allá de la irreparable pérdida de flora y fauna autóctonas. El relleno de los terrenos a más de siete metros de altura para facilitar la construcción de casas tradicionales (y no sobre palafitos, como ancestralmente ocurre en el lugar para permitir la normal corriente de mareas), el desvío y cierre de algunos cursos de agua, el desalojo de familias de antiguos pobladores y el ingreso de automóviles, que accederían al predio por un puente que conectará continente e isla, son algunos de los daños que están causando estas urbanizaciones al ecosistema del Delta.¨
Siga leyendo esta nota:
¨La Juez Federal Sandra Arroyo Salgado, para resolver en la incidencia y respecto a la solicitud Formulada por la Dra. Rita Ester Molina, en su carácter de titular de la Fiscalía Federal N°1 de San Isidro, en el marco de la causa caratulada “Ferreccio, Enrique Carlos s/denuncia, N° 2843/08 del registro de la Secretaría N° 7, del Juzgado Federal en lo Criminal y Correccional N°1 de San Isidro y considerando el planteo propiciado y su pertenencia y la solicitud de Ministerio Público Fiscal, resolvió disponer preventivamente la clausura de las instalaciones correspondientes a los emprendimientos “Isla Colony Park” y “Parque de la Isla”, ubicadas en la primera Sección de Islas del Delta del Paraná, con el fin de garantizar la paralización de las obras que respecto a estos emprendimientos allí se llevan a cabo. Ello de conformidad con lo dispuesto en los Art. 4 y 32 de la Ley 25.675 (Ley General del Ambiente), Art. 23 penúltimo y último párrafo del Código Penal, los arts. 183 y 193 de C.P.P.N. y Art. 41 de la constitución Nacional, medida esta que comenzó a regir a partir del 1 de diciembre de 2010.
También dispone la Juez Federal Arroyo Salgado, que el Organismo Provincial para el Desarrollo Sostenible (OPDS), como autoridad ambiental de la Provincia de Buenos Aires, con poder de policía, en cabeza de su Director Ejecutivo, Sr. José Manuel Molina, cumpla con el estricto contralor y supervisión periódica de los emprendimientos mientras dure la clausura preventiva, con el fin de verificar que no se continúe con la ejecución de las obras, hasta tanto se adecuen los emprendimientos a la normativa vigente en la materia, de acuerdo a los previsiones legales que imponen entre otras cosas la “Declaración de Impacto Ambiental (DIA) a partir de la aprobación del respectivo estudio (Ley Provincial N° 11723; Ley Nacional 25.765; Resolución OPDS 29/2009).
Ordena además la Juez, librar oficio a la Dirección de Inteligencia Criminal – Zona Delta – de la Prefectura Naval Argentina, a cumplir con lo dispuesto, asegurando el lugar, velando por la integridad y seguridad de las personas que en el se encuentren con franjado de estilo y consignas que hagan falta. Todo ello en aras de dar cabal cumplimiento a la clausura preventiva ordenada, que tendrá que asegurar la paralización de las obras, entregando copia del decisorio al Representante de dicha persona Jurídica, o la persona responsable de los trabajos que allí se encuentre.
También autorizó la Juez Federal, la realización de una inspección de Visu en el lugar en el que se llevan a cabo los emprendimientos “Colony Park” y “Parque de la Isla”. (...)
En el Delta no hay catastro, “el que hoy está tiene más de 70 años, no hay normas constructivas, entonces cada uno viene y hace lo que quiere; en el Delta no hay normas de dragado, entonces uno viene y hace un refulado y un dragado de acuerdo a lo que le conviene en su casa o desarrollo”, expresó como ejemplo Massa. Pero para el intendente “eso lo vamos a terminar, por eso estamos poniendo en marcha un Master Plan que le pone límites a los Colony Park, a los que vienen y hacen lo que quieren en el delta, llegó la hora de ponerles límites y coto a aquellos que vienen y se quieren llevar por delante día a día la naturaleza”.
Massa comentó que se está trabajando en tres temas. “Uno tiene que ver con el ordenamiento ambiental, urbanístico, inmobiliario y catastral, con un programa que tiende a fijar normas para que nadie haga lo que quiera en la isla. Y para que el desarrollo sea sustentable desde el punto de vista ambiental y desde las características de identidad del Delta. Queremos que el Delta crezca, pero de manera armónica y no vamos a cambiar lo que pensamos en nombre de un supuesto progreso. Queremos el progreso, pero de manera ordenada y respetando a aquellas familias que le dan vida a nuestra isla”.

Monday, December 27, 2010

World Symphony in Miami Beach: a building without ¨gehryfication¨

This building involved my partner and me in a discussion. He said that Frank Gehry should be loyal to his principles and should have followed his own design guidelines. You understand what I mean, the similar buildings that look like roses, built everywhere. And I stated that he would have to respect the city´s environment, the urban historical guidelines; I don´t like the idea of ¨stamping¨ buildings everywhere.
I have a colleague friend who prepared a project at the beach front, in Miami, and he emailed me the conditions. Absolutely strict, his modern house wouldn´t be approved by the City Council. He fought as much as he could, but here we have Gehry, that succumbed to the temptation of a huge fee. Now, the question is, does Miami need to pay such amount of money? Well, the same happened in Bilbao, in the future, the dividends are brought by tourists. Bilbao was suddenly improved by the mere existence of Gehry´s building. That was the city´s objective.
Here I have some excerpts from the article by Ines Hegedus García, for the Prime Miami Beach. com. It´s really interesting and it has some links to complete the story´s gossip about Gehry. All pictures are downloaded from the article.

¨The story behind the new building….shortened for brevity’s sake, is that Michael Tilson Thomas (Founder and Artistic Director of the New World Symphony, aka MTT), was babysat by Frank Gehry, who ended up designing the building because of their long established friendship. Miami Beach would get a top notch architectural landmark because of MTT’s influence! There were 3 aspects to the project: a parking structure, the actual concert hall, and a public park. Frank didn’t want to do the parking structure….DUH! why in the world would the City of Miami Beach commission a parking lot to a renown architect? But the city pushed and Gehry ended up doing the parking lot and the building, the budget then did not allow for the park, Gehry withdrew from the project and someone else did the park (West 8, a Dutch landscape architecture firm) <<< I’m over-simplifying here but want to get to the important part of the story, which is the building itself.
Of course I was bummed out that Gehry didn’t get to design the most important aspect of the project. The public park will be the key ingredient to incorporating the building into Lincoln Road’s existing life – if not done correctly, the city and the NWS will have to go back to the drawing table to make the space work. When I asked why a talented local like Raymond Jungles was not commissioned for the space, I was at least happy to hear that he had been hired to do the Rooftop terrace. (....)I started documenting the “Gehryfication” of the structure from the moment construction began and to my and others’ surprise, it was pretty damn boxy. FOR REAL? A Frank Gehry building that did not have his signature? Especially when he’s known for “turning his pencil against traditional box-shaped buildings”. What in the world was going on?
As the box continued to get finished, I hoped that the gehryfication happened in the interior and that’s why I was so happy to go on the tour. I am happy to inform you that it DOES happen in the interior and once you hear the concept, it all starts making more and more sense. According to Gehry, this was to be a “program driven building”, and as you can tell by the complicated program, this would be no easy task.¨

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