Arch. Myriam B. Mahiques Curriculum Vitae

Sunday, January 2, 2011

A walkable neighborhood yields social benefits

Calle Florida. Buenos Aires. Author: Miguel A. Monjas. Commons Wikimedia.org
A study from the University of New Hampshire says that living in a walkable neighborhood yields social benefits. The study, titled "Examining Walkability and Social Capital as Indicators of Quality of Life at the Municipal and Neighborhood Scales," was led by Shannon Rogers, a Ph.D.
It involved a survey of 700 residents of twenty neighborhoods in Portsmouth and Manchester, NH. Respondents answered questions on the walkability of their neighborhood and on their social capital. A UNH press release explained the results:
City Hall of Pasadena, California. It is said that Pasadena is one of the walkable cities of California. At the end of the perspective, the pedestrian street, that I´ve never seen crowded. Picture by Myriam B. Mahiques
Those living in more walkable neighborhoods trusted their neighbors more; participated in community projects, clubs and volunteering more; and described television as their major form of entertainment less than survey participants living in less walkable neighborhoods.
However, while the results seem persuasive, they should not be taken as scientifically conclusive:
Rogers cautions that the study's results are mitigated by a possible self-selection bias: "People who enjoy walking may choose to live in more walkable neighborhoods," she says, adding that it would be naïve to say this study "proves" that walkability affects social capital in neighborhoods.
REFERENCE:
Adapted fragments of New Study Shows Walkable Neighborhoods Make People Happier. By Alex Davies.

Saturday, January 1, 2011

Turkish delight. By Orhan Pamuk

Illustration by arch. Matteo Pericoli

Most of my writing time is spent forming the next sentence in my imagination. When my mind is busy with words, all by itself my eye moves away from the page and the tip of the fountain pen.This is the landscape I have gazed upon through my Istanbul window for the last 15 years. On the left side is Asia and in the middle the Bosphorus and its opening to the Sea of Marmara, as well as the islands I have been going to each summer for 58 years. To the right is the entrance to the Golden Horn and the part of the city that Istanbul residents refer to as the Old Town, home of the Ottoman dynasty for four centuries, including Topkapi Palace, the Hagia Sophia and the Blue Mosque.
I sometimes proudly declare I am a writer who wrote a historical novel, “My Name is Red,” set in a location constantly before my eyes. To the popular question inquisitive guests and visiting journalists ask — “Doesn’t this wonderful view distract you?” — my answer is no. But I know some part of me is always busy with some part of the landscape, following the movements of the seagulls, trees and shadows, spotting boats and checking to see that the world is always there, always interesting and always a challenge to write about: an assurance that a writer needs to continue to write and a reader needs to continue to read.

Orhan Pamuk is the author, most recently, of “The Museum of Innocence.” Matteo Pericoli is an illustrator and the author of “The City Out My Window: 63 Views on New York.”

Friday, December 31, 2010

North London Daydreams. By Andrea Levy

Illustration by arch. Matteo Pericoli

When I was young my mum used to complain that I spent too much time daydreaming. That was because I liked to stare at the sky. She thought that while I was dreaming I could be doing something useful as well, like knitting. Now that I am a writer, I have the privilege of daydreaming as part of my job. And I still love to gaze at the sky. The view from my workroom in my North London house has a lot of sky, and I couldn’t work without it. There are never any structured thoughts in my head when I look up. They just come and go and change shape like the clouds.
I have a wonderful view of Alexandra Palace. This is not a royal palace but a 19th-century leisure center for exhibitions and events — a people’s palace, known locally as “Ally Pally.” It was the place from which the world’s first regularly scheduled television transmissions were broadcast, in the 1930s, and the famous antenna is still there. Below it I can see the doors of the studios where modern television began, and I find that thrilling. The palace is still a venue for the occasional exhibition, but mostly it just sits there on the hill, waiting for someone to find a good use for it in this information age.
In the foreground, close to my house, is a school. I have come to know the sounds of that school so well that it has become my clock. As early as 7:30 the first children arrive, twittering into the playground like the first birds of the morning. During the din of their playtimes I always stop working to have a cup of tea.
The school sits among Victorian row houses just like mine, with their jumbled chimney pots and television aerials. When I see them under my mass of sky, with Ally Pally up on the hill, then I know I am home.

Bajo el cielo y las nubes de Londres. De Andrea Levy

Ilustración del arquitecto e ilustrador Matteo Pericoli

Cuando yo era joven, mi madre solía quejarse de que me pasaba demasiado tiempo sumida en ensoñaciones. Eso era porque me gustaba quedarme mirando el cielo. Ella pensaba que yo podía hacer algo útil, como tejer. Ahora que soy escritora, tengo el privilegio de que soñar sea parte de mi trabajo. Y todavía me encanta mirar el cielo. La vista desde el cuarto donde trabajo, en mi casa del norte de Londres, tiene un montón de cielo. Cuando miro hacia arriba, nunca hay en mi cabeza ningún pensamiento estructurado. Mis pensamientos tan sólo van y vienen y cambian de forma como las nubes.
Tengo una maravillosa vista del Palacio Alexandra. No es un palacio real sino un centro recreativo del siglo XIX, destinado a exhibiciones y actos... un palacio del pueblo, al que llaman Ally Pally. Fue el lugar desde donde se hicieron las primeras transmisiones televisivas regulares del mundo, en la década de 1930, y la famosa antena aún sigue allí. El palacio todavía es la sede de ocasionales exhibiciones, pero en general simplemente está allí, en lo alto de la colina, esperando que alguien le encuentre utilidad en esta era informática.
En primer plano, cerca de mi casa, hay una escuela. He llegado a conocer tan bien los sonidos de esa escuela que se han convertido en mi reloj. Temprano, a las siete y media, llegan los primeros niños. Durante el período de bulla de sus recreos siempre dejo de trabajar para tomarme una taza de té.
La escuela se inserta en una fila de casas victorianas como la mía, con su mezcolanza de chimeneas y antenas aéreas de televisión. Cuando las veo bajo mi masa de cielo, con Ally Pally en la cima de la colina, sé que estoy en casa.

Andrea Levy . Londres, 1956
Sus padres son jamaiquinos; llegaron a Inglaterra en 1948. Ella comenzó a escribir después de los 30 años. Su primera novela, Every Light in the House Burnin', de 1994, fue un gran éxito, y la cuarta, Pequeña isla (Anagrama), de 2004, fue la ganadora del Whitbread Book of the Year
Traducción de Mirta Rosenberg

Thursday, December 30, 2010

Happy New Year! Feliz Año Nuevo!

Digital painting by Myriam B. Mahiques
Felicidades a los lectores, a los que están allí, compartiendo, leyendo....Que tengan un excelente 2011!
Greetings to all readers, to those who are there, sharing, reading.... Have an excellent 2011!

Selection of paintings by Michael Gutteridge

Chinese New Year Celebrations in Albert Square (40x50cm. Acrylic on board.) 

St. Mary’s Gate (40x50cm. Acrylic on board) Painted 2004

Parked Cars (40x50cm. Acrylic on board) Painted 2002

Beautiful points of view in the City. Keep on enjoying Michael´s paintings:

Beatles Crosswalk Gains Historic Protection


The north-west London zebra crossing traversed by the Beatles one bright morning 41 years ago - and visited by musical pilgrims ever since - has has been granted Grade II listing.
The heritage minister John Penrose took the unusual decision to protect the crossing, which provided the cover shot for Abbey Road album, following advice from English Heritage.
Although the listing is the first of its kind, the Abbey Road studios where the 1969 album was recorded, won similar recognition this February.
Tourists and music lovers flock to Abbey Road every day. Photograph: Felix Clay
Sir Paul McCartney, whose barefoot stroll across the road gave rise to all manner of absurd conspiracy theories, welcomed the news today. "It's been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake," he said.
Penrose said that while the crossing was "no castle or cathedral", it had "just as strong a claim as any to be seen as part of our heritage" because of its link to the Beatles. He added: "As such it merits the extra protection that Grade II listing provides."
Roger Bowdler, head of designation at English Heritage, said: "the crossing continues to possess huge cultural pull — the temptation to recreate that 1969 album cover remains as strong as ever."
Excerpt from the article by Sam Jones, at Guardian.co.uk

Wednesday, December 29, 2010

The city as a sprawling organism

Illustration by Hubert Blanz
Excerpts from the article at the New York Times: A Physicist Solves the City. By Jonah Lehrer.
¨Although (Geoffrey) West worked for decades as a physicist at Stanford University and Los Alamos National Laboratory, he started thinking about leaving the field after the financing for the Texas superconducting supercollider was canceled by Congress in 1993. West, however, wasn’t ready to retire, and so he began searching for subjects that needed his skill set.
Eventually he settled on cities: the urban jungle looked chaotic — all those taxi horns and traffic jams — but perhaps it might be found to obey a short list of universal rules. “We spend all this time thinking about cities in terms of their local details, their restaurants and museums and weather,” West says. “I had this hunch that there was something more, that every city was also shaped by a set of hidden laws.”
And so West set out to solve the City. As he points out, this is an intellectual problem with immense practical implications. Urban population growth is the great theme of modern life, one that’s unfolding all across the world, from the factory boomtowns of Southern China to the sprawling favelas of Rio de Janeiro. As a result, for the first time in history, the majority of human beings live in urban areas. (The numbers of city dwellers are far higher in developed countries — the United States, for instance, is 82 percent urbanized.) Furthermore, the pace of urbanization is accelerating as people all over the world flee the countryside and flock to the crowded street.
Illustration by Hubert Blanz
This relentless urban growth has led to a renewed interest in cities in academia and in government. In February 2009, President Obama established the first White House Office of Urban Affairs, which has been told to develop a “policy agenda for urban America.” Meanwhile, new perspectives have come to the field of urban studies. Macro­economists, for instance, have focused on the role of cities in driving gross domestic product and improving living standards, while psychologists have investigated the impact of city life on self-control and short-term memory. Even architects are moving into the area: Rem Koolhaas, for one, has argued that architects have become so obsessed with pretty buildings that they’ve neglected the vital spaces between them.
But West wasn’t satisfied with any of these approaches. He didn’t want to be constrained by the old methods of social science, and he had little patience for the unconstrained speculations of architects. (West considers urban theory to be a field without principles, comparing it to physics before Kepler pioneered the laws of planetary motion in the 17th century.) Instead, West wanted to begin with a blank page, to study cities as if they had never been studied before. He was tired of urban theory — he wanted to invent urban science.
For West, this first meant trying to gather as much urban data as possible. Along with Luis Bettencourt, another theoretical physicist who had abandoned conventional physics, and a team of disparate researchers, West began scouring libraries and government Web sites for relevant statistics. The scientists downloaded huge files from the Census Bureau, learned about the intricacies of German infrastructure and bought a thick and expensive almanac featuring the provincial cities of China. (Unfortunately, the book was in Mandarin.) They looked at a dizzying array of variables, from the total amount of electrical wire in Frankfurt to the number of college graduates in Boise. They amassed stats on gas stations and personal income, flu outbreaks and homicides, coffee shops and the walking speed of pedestrians.
After two years of analysis, West and Bettencourt discovered that all of these urban variables could be described by a few exquisitely simple equations. For example, if they know the population of a metropolitan area in a given country, they can estimate, with approximately 85 percent accuracy, its average income and the dimensions of its sewer system. These are the laws, they say, that automatically emerge whenever people “agglomerate,” cramming themselves into apartment buildings and subway cars. It doesn’t matter if the place is Manhattan or Manhattan, Kan.: the urban patterns remain the same. West isn’t shy about describing the magnitude of this accomplishment. “What we found are the constants that describe every city,” he says. “I can take these laws and make precise predictions about the number of violent crimes and the surface area of roads in a city in Japan with 200,000 people. I don’t know anything about this city or even where it is or its history, but I can tell you all about it. And the reason I can do that is because every city is really the same.” After a pause, as if reflecting on his hyperbole, West adds: “Look, we all know that every city is unique. That’s all we talk about when we talk about cities, those things that make New York different from L.A., or Tokyo different from Albuquerque. But focusing on those differences misses the point. Sure, there are differences, but different from what? We’ve found the what.”
There is something deeply strange about thinking of the metropolis in such abstract terms. We usually describe cities, after all, as local entities defined by geography and history. New Orleans isn’t a generic place of 336,644 people. It’s the bayou and Katrina and Cajun cuisine. New York isn’t just another city. It’s a former Dutch fur-trading settlement, the center of the finance industry and home to the Yankees. And yet, West insists, those facts are mere details, interesting anecdotes that don’t explain very much. The only way to really understand the city, West says, is to understand its deep structure, its defining patterns, which will show us whether a metropolis will flourish or fall apart. We can’t make our cities work better until we know how they work. And, West says, he knows how they work. (....)
The mathematical equations that West and his colleagues devised were inspired by the earlier findings of Max Kleiber. In the early 1930s, when Kleiber was a biologist working in the animal-husbandry department at the University of California, Davis, he noticed that the sprawlingly diverse animal kingdom could be characterized by a simple mathematical relationship, in which the metabolic rate of a creature is equal to its mass taken to the three-fourths power. This ubiquitous principle had some significant implications, because it showed that larger species need less energy per pound of flesh than smaller ones. For instance, while an elephant is 10,000 times the size of a guinea pig, it needs only 1,000 times as much energy. Other scientists soon found more than 70 such related laws, defined by what are known as “sublinear” equations. It doesn’t matter what the animal looks like or where it lives or how it evolved — the math almost always works.
West’s insight was that these strange patterns are caused by our internal infrastructure — the plumbing that makes life possible. By translating these biological designs into mathematics, West and his co-authors were able to explain the existence of Kleiber’s scaling laws. “I can’t tell you how satisfying this was,” West says. “Sometimes, I look out at nature and I think, Everything here is obeying my conjecture. It’s a wonderfully narcissistic feeling.”
Not every biologist was persuaded, however. In fact, West’s paper in Science ignited a flurry of rebuttals, in which researchers pointed out all the species that violated the math. West can barely hide his impatience with what he regards as quibbles. “There are always going to be people who say, ‘What about the crayfish?’ ” he says. “Well, what about it? Every fundamental law has exceptions.¨
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