Arch. Myriam B. Mahiques Curriculum Vitae

Sunday, February 13, 2011

The happiness of building a house

New  tile. Digital painting by Myriam B. Mahiques

My father spent many years building the house where he and my mom died. It was not easy for a worker to gather all the money we needed, but one day, it was ready, with the furniture, plants, curtains, everything. I remember when after the moving, we sat outside at the patio, enjoying the beautiful afternoon, everything so new and smelling clean. I felt so happy...
I´d like to share this feeling in the beautiful words of Lin Yutang: The Importance of Living. Chapter: Thirty three happy moments. Pages 133/4
¨Without any serious intention to build a house of my own, I happened, nevertheless to start building one because a little sum had unexpectedly come my way. From that day on, every morning and every night I was told that I needed to buy timber and stone and tiles and bricks and mortar and nails. And I explored and exhausted every avenue of getting some money, all on account of this house, without, however, being able to live in it all this time, until I got sort of resigned to this state o things. One day, finally, the house is completed, the walls have been whitewashed and the floors swept clean; the paper windows have been pasted and scrolls o paintings are hung up on the walls. All the workmen have left, and my friends
have arrived, sitting on different couches in order. Ah, is this not happiness?¨

Anubis arriving at London



This picture from 2007 shows Anubis, the ancient Egyptian god of the dead, making his way up the Thames on the deck of a cargo ship. That´s impressive to see him out of his environment, like ruling the city of London.

Una araña de la escultora Louise Bourgeois rumbo a La Boca, Buenos Aires

Araña de la escultora francesa Louise Bourgeois expuesta frente a la galería Tate Modern de Londres. Esta escultura mide más de nueve metros de alto y está hecha de bronce, mármol y acero inoxidable. Foto de http://www.bbc.co.uk/spanish/

Nota de Alicia de Arteaga para La Nación:
Créase o no, ya está en camino la gigantesca araña de la escultora francesa Louise Bourgeois, que será exhibida en la explanada de la Fundación Proa, en la Vuelta de Rocha, a partir del 10 de marzo. Un operativo sin precedente permitirá ver por primera vez en América del Sur esta pieza descomunal procedente del estudio de la artista en Nueva York. Por sus medidas fuera de serie -9 metros de altura por 10 de diámetro- el insecto de acero viaja en barco y llegará a La Boca para prologar la gran muestra que la Fundación Proa, por iniciativa de Adriana Rosenberg y con la curaduría de Philip Larratt, consagrará a la mayor escultora francesa del siglo XX. Pionera, iconoclasta y longeva, Louise Bourgeois murió el año último en Nueva York, a los 98 años. Los porteños compartirán con vascos, londinenses y neoyorquinos el privilegio de contemplar a metros de Caminito la obra que fue exhibida, en 1999, en el Guggenheim de Bilbao; en 2007, en el Turbine Hall de la Tate Modern, de Londres, y, en 2008, en la explanada del Centro George Pompidou, de París. La araña de esta historia itinerante se llama Maman y simboliza la trama familiar. Una saga de desencuentros tejida entre el poder y la represión.

Friday, February 11, 2011

A bit of humour: hundreds of ¨undocumented¨ stop signs in the city of Cranston, Rhode Island


I came across with this article posted at Lowering the Bar -Legal Humour- and it was really nice for me. I suddenly remembered when the Unicenter shopping mall was built in Vicente Lopez, Buenos Aires, in the middle of a residential neighborhood, and the neighbors began to block some streets, desperate them all to find some peace. And of course, to avoid trucks to access their streets. What I mean, if the signs are installed, citizens need them for sure.
¨...the city of Cranston, Rhode Island, had a puzzler on its hands after it came to the city's attention that there were hundreds of unauthorized stop signs on its streets, installed by a person or persons unknown. At the time, the mayor said his staff was still researching what to do, but that the city would probably pass a special ordinance giving legal effect to most or all of the signs. According to a report today, it is likely to do just that.
The Providence Journal reports that a committee was to meet today (February 7) to consider proposed ordinances that would legalize 587 "undocumented stop signs"¨
REFERENCE:

Tuesday, February 8, 2011

The cataphiles of Paris catacombs

Photo by Stephen Alvarez
Excerpts from the article by Neil Shea, for National Geographic:

Paris has a deeper and stranger connection to its underground than almost any city, and that underground is one of the richest. The arteries and intestines of Paris, the hundreds of miles of tunnels that make up some of the oldest and densest subway and sewer networks in the world, are just the start of it. Under Paris there are spaces of all kinds: canals and reservoirs, crypts and bank vaults, wine cellars transformed into nightclubs and galleries. Most surprising of all are the carrières—the old limestone quarries that fan out in a deep and intricate web under many neighborhoods, mostly in the southern part of the metropolis.
Into the 19th century those caverns and tunnels were mined for building stone. After that farmers raised mushrooms in them, at one point producing hundreds of tons a year. During World War II, French Resistance fighters—the underground—hid in some quarries; the Germans built bunkers in others. Today the tunnels are roamed by a different clandestine group, a loose and leaderless community whose members sometimes spend days and nights below the city. They're called cataphiles, people who love the Paris underground.
Entering the quarries has been illegal since 1955, so cataphiles tend to be young people fleeing the surface world and its rules. Veterans say the scene blossomed in the 1970s and '80s, when traditional Parisian rebelliousness got a fresh jolt from punk culture. Going underground was easier then, because there were many more open entrances. Some cataphiles discovered they could walk into the quarries through forgotten doorways in their school basements, then crawl onward into tunnels filled with bones—the famous catacombs. In places only they knew, the cataphiles partied, staged performances, created art, took drugs. Freedom reigned underground, even anarchy.
A "cataphile" . Picture by Stephen Alvarez
Behind the neat stacks of skulls, tibias, and femurs in the Paris catacombs lies a chaos of bones. In the 18th and 19th centuries the city dug up millions of skeletons from over-flowing cemeteries and poured them at night into old quarries. Photograph by Stephen Alvarez

At first the surface world barely noticed. But by the end of the '80s the city and private property owners had shut most of the entrances, and an elite police unit began patrolling the tunnels. Yet they couldn't manage to stamp out cataphilia. The young couple I saw climbing out of a manhole that morning were cataphiles. Maybe they had been on a date; some of the men I've explored the quarries with met their future wives in the tunnels, trading phone numbers by flashlight. Cataphiles make some of the best guides to the Paris underworld. Most Parisians are only dimly aware of its extent, even though, as they ride the Métro, they may be hurtling above the bones of their ancestors.
Keep on reading:

NAHRO 2011 Summer Conference and National Conference & Exhibition CALL FOR PROPOSALS

The National NAHRO Conferences provides a unique educational opportunity for housing and community development policy makers and practitioners to network and learn how public, private and nonprofit groups can create affordable housing. In conjunction with the educational offering are committee meetings and pre/post conference seminars.
With the level of educational programming, peer-to-peer learning and orchestrated networking events, National NAHRO conferences have long been considered the most important events of the year among industry leaders. Share your knowledge and help shape the ideas and strategies that will influence industry professionals.
Submissions are now being accepted for concurrent session presentations at the NAHRO 2011 Summer Conference in Louisville, KY on July 28-30 and the 2011 National Conference & Exhibition in St. Louis, MO on October 23-25.
To submit a proposal go to http://nahro.scsubmissions.com
If you have questions, email at conferenceprogramming@nahro.org

Monday, February 7, 2011

Los festejos del Año Nuevo Chino en Buenos Aires

Festejos en el Barrio Chino de Buenos Aires. Foto archivo de La Nación
Cuando yo pasaba en colectivo por el incipiente Barrio Chino de Bajo Belgrano, Buenos Aires, rumbo a la facultad, no hubiera imaginado nunca cómo crecería y además se afianzarían los lazos culturales.
No ha sido sencillo, y recuerdo uno de mis primeros posts en este blog ha sido el rechazo de los vecinos ante la sorpresiva construcción del Arco Chino, en la entrada del Barrio.
De hecho, nuestra convivencia con inmigrantes asiáticos comienza a fines de los 70´, cuando el gobierno abrió la importación sin impuestos de sus productos, creando una crisis horrenda en el mercado local. Los productos que fueron novedad al principio, en unos pocos años fueron causantes de hostilidades, por la competencia económica. Y, por lo que veo, ha llevado 30 años lograr la integración cultural.
De la nota del diario La Nación, con fecha de hoy, tomo estos párrafos y dejo el link para la lectura completa del artículo.
Foto Emiliano Lasalvia
¨Decenas de miles de personas se congregaron ayer en el Bajo Belgrano para celebrar la llegada del año nuevo chino, el 4709 del calendario oriental, que tiene como símbolo el conejo de metal. Fuentes de la organización aseguraron que durante todo el día más de 80.000 personas participaron en los festejos organizados por las asociaciones chinas y argentinas.
En Juramento y Arribeños la multitud se agolpaba bajo la mirada atónita de aquellos que pasaban en el tren. Al cruzar el arco chino, una pequeña ciudad oriental emergía y los dos dragones que habitualmente protegen la entrada del barrio chino eran rodeados por decenas de personas que querían una fotografía con el legendario animal.
El festival, que comenzó a las diez de la mañana, fue inaugurado oficialmente al mediodía por el ministro de Cultura de la ciudad, Hernán Lombardi, y por los integrantes del templo Fo Guang Shan, quienes estuvieron a cargo de la histórica ceremonia del "clavado de pupilas" que se realiza cada año para que el dragón "despierte".
Luego, en la típica "danza del dragón" acompañada de música con tambores, el animal recorrió todos los locales para darles augurio a los comerciantes mientras la gente intentaba tocarlo y fotografiarlo.
Este año el lema del evento es la integridad cultural, por eso hay eventos de danzas tradicionales chinas y también festivales de tango.¨

Sunday, February 6, 2011

DIY Do it yourself Urbanism

Dumpster pools
" No longer empty" 

I came across with this nice essay by Mimi Zeiger for the Design Observer Group. In these years of financial crisis, I've seen so many stores closed, foreclosures, our library closed at weekends, campaments, and so on. Desolation.
And now, it seems people is moving ahead with urban-domestic proposals.
This is an excerpt from Mimi's essay, the pictures are an excellent representation of this kind of " movement".
Parking day
Parking day
" Our current recession is inspiring its own strategies and tactics: It's increasingly a catch-all for a host of urban interventions. This is a trend that I like to describe with a mouthful of a title: Provisional, Opportunistic, Ubiquitous, and Odd Tactics in Guerilla and DIY Practice and Urbanism. With this verbaciousness, I hope to capture the tactical multiplicity and inventive thinking that have cropped up in the vacuum of more conventional commissions. These days vacant lots offer sites for urban farming, mini-golf, and dumpster pools. Trash recycles into a speculative housing prototype (see the Tiny Pallet House). Whether it’s The Living’s Amphibious Architecture or Mark Shepard's Serendipitor, the built environment speaks through mobile devices. Retail spaces hit by the recession are fodder for reinvention, as the art organization No Longer Empty transforms unleased storefronts into temporary galleries. Even the street itself is reclaimed. REBAR’s annual initiative, Park(ing) Day, urges global participants to use a pranksters wit to turn parking spaces into pocket parks, one quarter at a time."
Keep on reading:
All pictures downloaded from the article.

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