Arch. Myriam B. Mahiques Curriculum Vitae

Thursday, July 26, 2012

Massive crocheted alligator in Sao Paulo





After looking at the pictures of Magda Sayeg´s urban guerrilla, with her knitting in urban spaces, I´m wondering who was first with the idea. 
Anyway this is not urban guerrilla, this is Art or, landscape art. The pictures posted here have been downloaded from MSN (worst of all, they don´t mention the author, not even the place) and Inhabitat, from where I also took this excerpt:
With the help of a team of “crocheteiros,” Olek completely covered the massive alligator in colorful yarn and ribbons. Kids can climb in, through and on top of the brightly-colored alligator, which loses some of its intimidation with that blanket of pink yarn. The crocheted alligator is part of the SESC Arts Show 2012, a non-profit arts show across several venues that runs from July 19 to 29 in São Paulo.
The Polish-born artist has been quite prolific recently, covering everything from a convertible to the bull on Wall Street in bright-colored yarn.


http://inhabitat.com/olek-knits-a-massive-crocheted-alligator-playground-in-sao-paulo/

This is Olek´s design for an apartment in NYC, also from Inhabitat.com

Wednesday, July 25, 2012

Sacred Street Theater in Medieval England

Medieval Mystery Play by Joseph Ratcliffe Skelton, twentieth century.
—Private Collection/© Look and Learn/ Bridgeman Art Library


Soldiers Dividing Christ’s Coat, detail of Byzantine fresco in Macedonia, fourteenth century.
Erich Lessing/Art Resource, NY


Doomsday, 1433. In York, after dark. A red curtain. Painted stars. Actors in hoses, wigs, and two-faced masks—some in angel wings, some with trumpets. Wooden clouds and pieces of rainbow, and an iron frame with pulleys meant to effect Christ’s movements between Heaven and Earth. a “hell mouth” billowing smoke and the smell of sulfur. Even a host of tiny puppet angels, set running about the firmament by means of rollers and a bit of twine. And in the midst of all this pomp and technology, God the Son, wearing a crown and golden mask, Holy Wounds gaping, enters from above:

This woffull worlde is brought till ende,
Mi Fadir of hevene he woll (wills that) it be;
Therfore till erthe nowe will I wende,
Miselve to sitte in magesté.
To deme my domes (issue my judgments) I woll descende,
This body will I bere with me,
Howe it was dight (put to suffering), mannes mys (man’s sins) to mende.
All mankynde there schall it see.

“Obviously,” says Clifford Davidson, “it was intended to be a big flash. Everything builds up to the Last Judgment.” That’s right: Everything. Davidson, professor of English and medieval studies emeritus at Western Michigan University (WMU), is referring to the York Corpus Christi Cycle in toto, a daylong theatrical celebration of the eucharist, held on the seventh Thursday after Easter, that almost every year, from 1377 to 1569, wound through the narrow streets of England’s then northern capital, presenting its audiences with nothing less than a staged vision of the sacred history of the world—all of it, from the pre-Creation Fall of Lucifer to the Savior’s final sifting of the faithful from faithless at the end of time. As many as forty-six plays, amounting to more than thirteen thousand lines of verse, may have preceded the performance of the Doomsday play. Together they hit most of the highlights of the Christian canon and apocrypha. There was The Creation of Adam and Eve, Abraham and Isaac, The Temptation in the Wilderness, The Coronation of the Virgin, and so on—each mounted on a wagon, known as a “pageant,” and hauled about the city, stopping at anywhere from ten to sixteen predetermined and municipally approved performance stations. According to a contemporaneous document, the entire affair began “at the mydhowre betwix iiijth and vth of the cloke in the mornyng,” and, though its exact duration is debated among scholars, it almost certainly lasted well into the night. Each individual pageant was the responsibility of one of York’s craft and trade guilds, fraternities whose members shared both a profession and a patron saint. They didn’t write the scripts—and, in fact, scholars aren’t quite sure who did—but raised money for their production, maintained the stage wagons and their trappings, and, very likely, performed many of the roles. Friends and relatives of the guild members, as well as others, including musicians and maybe even the York Minster choir, would also have lent a hand, fleshing out the cast and crew. “It was,” says Davidson, “the biggest, most expensive civic effort of the year.”

KEEP ON READING this article by James Williford for Humanities Magazine:

Tuesday, July 24, 2012

Society of Architectural Historians 66th Annual Conference Conference. CALL FOR PAPERS


Abstract Submission Guidelines
The Society of Architectural Historians is now accepting abstracts for papers for its 66th Annual Conference in Buffalo, NY, April 10-14, 2013. Please submit abstracts of no more than 300 words no later than June 1st for one of the thematic sessions listed below. There will also be open sessions for those whose research does not match any of the themed sessions. Those submitting to the open sessions will follow the same deadline and process as those submitting to a thematic session. This is a change from previous call for papers. Only one abstract per author or co-author may be submitted. SAH is using an online abstract submission process – please do not send your abstract to the session chair’s email address as this will delay the review of your abstract or possibly void your submission. 
If submitting to a thematic session, send your CV to the appropriate session chair and the SAH office. If submitting to the open session, send your CV to the SAH office only.
Abstracts should define the subject and summarize the argument to be presented in the proposed paper. The content of that paper should be the product of well-documented original research that is primarily analytical and interpretative rather than descriptive in nature. Papers cannot have been previously published or presented in public except to a small, local audience. All abstracts will be held in confidence during the review and selection process and only the session chair and General Chair will have access to them. 


SAH Conference session topics include: early modern architecture, diasporic architecture, Buffalo in 19th and Early 20th century, architecture and the book, post-modernism revisited, conservation and restoration, and postwar architecture.


Organized by: Society of Architectural Historians

Deadline for abstracts/proposals: 1st June 2012 (passed)

Monday, July 23, 2012

Buenos Aires: un country ¨fantasma¨ en el Nordelta

Agentes de ARBA inspeccionando. Foto de Clarin.com

Es habitual que a veces nos llamen algunos clientes pidiendo presupuesto para un diseño de casa en México. Cuando indagamos sobre las cuestiones de código y presentación municipal, nos dicen, no, la zona es rural, nosotros nos arreglamos solamente con el albañil.
También he tenido oportunidad de ver unos planos de un local de yogur helado para Filipinas, los arquitectos me explicaron que no necesitaban pasar el filtro del departamento de Salubridad, cada cual presenta lo que quiera, generalmente proyectos standard.
Por supuesto, hay casos peores como las construcciones de países sin desarrollo, recordemos a Haití y la catástrofe de las viviendas desmoronándose en el último terremoto.
Siempre pensé que Buenos Aires, salvo por algunos casos aislados en zonas más rurales, era una ciudad-provincia más controlada. Y JAMÁS hubiera imaginado que un country, de cientos de viviendas y natatorios, se hubiera construído sin planos, sin inspecciones, sin impuestos, por supuesto.
Me pregunto si la gente no se da cuenta que una obra ilegal es como no tenerla, incluso, si se pudiera legalizar, cómo comprobar -salvo por pericias exhaustivas- los materiales ocultos empleados, serán lo suficientemente seguras estas viviendas que construídas en el Nordelta tal vez ni estudio de suelos tengan?
Una situación lamentable, en una época en que desde Google Earth, todo lo vemos. ¿Cómo puede haber pasado TANTO tiempo para que se descubra?
Vergonzoso, sin excusas.
Del diario Clarín, comparto unos párrafos y dejo el link para que lean la nota completa:


La Agencia de Recaudación de la Provincia de Buenos Aires detectó que todas las casas del country Los Alisos, ubicadas en el Complejo Nordelta, en Tigre, no estaban declaradas ante el fisco y figuraba como baldío. Se trata de 234 casas y 75 piletas de natación, comprendidas en 68.261 m2, lo que junto a otras propiedades de lujo fiscalizadas en el predio totaliza 114.721 m2 sin incorporar al fisco y una evasión de más de $1,3 millones de Impuesto Inmobiliario. El country Los Alisos cuenta con un lago interno de 7,3 hectáreas, un Club House con quincho, parrilla, 4 canchas de tenis y una cancha de fútbol 5. Con la evasión en el Impuesto Inmobiliario, los contribuyentes habían dejado de pagar $674.944, por lo que la Agencia los intimó a regularizar su situación, o si no serán incorporados de oficio y recategorizados de oficio en los próximos días. (....)
En estos controles, los fiscalizadores también hallaron sin declarar un complejo de departamentos, "Quartier Nordelta", unos 30.000 m2 que tendría que pagar en Impuesto Inmobiliario $171.790 y que estaba declarado como baldío. Por su parte, también se detectó al edificio "Loft de Bahía Grande" declarado ante el fisco como baldío. Son 10.300 m2 que tendría que pagar de impuestos $96.456 al año. Tampoco estaban declaradas las mejoras en el Hotel Intercontinental de Nordelta, un emprendimiento 5 estrellas que no incorporó 900 m2, lo que representa una evasión a la Provincia de $155.983.

Breakfast with a landscape in the sour cream can


I´m a person of light and open windows. I´m always looking through the windows while cooking, while having breakfast, sometimes without attention to whatever I see.
A client of mine told me a few days ago, ¨Myriam, when you feel sad, look through the window, enjoy nature, life is beautiful.¨
Of course, not for everybody. 
Anyway, I´ve been having the same breakfast since I was 12 years old, two wheat toasts with sour cream or cream cheese and black tea with lemon and sweetener. 
A few days ago, I opened a new can of sour cream and was delighted to see, instead of plastic, a nice print on Aluminum, a landscape from the Grand Canyon, Arizona. A small detail that enlightened my morning. ¨ENJOY 100% NATURAL BEAUTY¨

Sunday, July 22, 2012

Tides of water and people. A Romantic point of view by Ebenezer Howard

Every year, upwards of 135,000 music fans camp among stages in the fields of Glastonbury, a small town in Somerset, England. The influx of people who come from all around the world for the weekend festival swells the population roughly 1,560 percent. Photo Chris Drake. http://www.pbs.org/pov/lasttrainhome/photo_gallery_ten-human-migrations.php?photo=1#gallery-top

While reproducing the following words by Mr Ebenezer Howard, I take the opportunity to show some examples of temporary massive migrations, what in Fractal Urban Morphology could be associated to a dynamic system with an attractor, indeed a strange attractor.
All pictures and texts (except for the one in China) below have been downloaded from POV25

Under the reign of Saddam Hussein, openly celebrating Arba’een was illegal. Since his fall from power, hundreds of thousands of Shia Muslims head to Karbala, a city south of Baghdad, to mark the religious rite. The event marks the end of a 40-day period of mourning after the death of Imam Hussein, a grandson of the prophet Muhammad, who was killed in the seventh century. 

In 2009, this 10-day annual festival saw 2.5 million women descend on the area near the Attukal temple in Kerala to give offerings to the Hindu goddess Bhagavathy — an incarnation of the goddesses Kali and Saraswati. What used to be a traditional smaller pilgrimage and festival, in recent years, has become the Guinness World Record holder for the largest annual gathering of women.

The fifth and final pillar of Islam is the Hajj, a pilgrimage which every able-bodied Muslim must complete once in their lifetime if they can afford it. During the month of Dhul Hijjah, the twelfth month of the Islamic lunar calendar, upwards of 2 million Muslim pilgrims travel to Mecca in order to take part in the rite. Photo Ali Mansuri

The annual two-month festival at the Sabarimala temple in Kerala attracts between 45 and 50 million pilgrims each year. During this time, pilgrims make their way up a hillside to enter the Sabarimala temple where the Hindu god Ayyappan is believed to have meditated. The mass of pilgrims is primarily composed of men, as women aged 10 to 50 (those of typical reproductive age) are not allowed inside the temple, due to the fact that Ayyappan was celibate in Hindu mythology.


MR EBENEZER HOWARD (Founder of the Garden City Association) said: 
 I have read and re-read—in the proof forwarded to me—Professor Geddes' wonderfully luminous and picturesque paper with much interest. He has given us a graphic description of the geographic process which leads to the development of the city. We see vividly the gradual stages by which the city grows and swells, with the descent of the population from the hillsides into the valleys, even as the river which flows through the city is fed continually by the streams which flow down to it. But is there not this essential difference between the gathering waters of heaven, as they pour into the great city, and the gathering tide of population, which follows the path of the waters? The waters flow through the city on, on toward the mighty ocean, and are then gradually gathered upward into the soft embraces of the clouds and wafted back again to the hills, whence they flow down once more to the valleys. But the living stream of men, women, and children flows from the country-side and leaves it more and more bare of active, vigorous, healthy life: it does not, like the waters, "return again to cover the earth," but moves ever on to the great city, and from thence, at least for the great majority, there is no chance of more than, at best, a very short stay in the country. No: the tide flows resistlessly onward to make more crowded our overcrowded tenements, to enlarge our overgrown cities, to cause suburb to spread beyond suburb, to submerge more and more the beautiful fields and hilly slopes which used to lie near the busy life of the people, to make the atmosphere more foul, and the task of the social reformer more and yet more difficult. But surely there must be a way, could we but discover it, of imitating the skill and bountifulness of Nature, by creating channels through which some of our population shall be attracted back to the fields; so that there shall be a stream of population pouring from the city into the country, till a healthy balance is restored, and we have solved the twin problems of rural depopulation and of the overcrowded, overgrown city.


2009 Chunyun period, ( Spring Festival Travel Season) Beijing West Railway Station,China. Photo Charlie Fong

REFERENCE:
Civics: as Applied Sociology by Patrick Geddes Read before the Sociological Society at a Meeting in the School of Economics and Political Science (University of London), Clare Market, W.C., at 5 p.m., on Monday, July 18th, 1904; the Rt. Hon. CHARLES BOOTH, F.R.S., in the Chair. http://www.gutenberg.org/files/13205/13205-h/13205-h.htm

Saturday, July 21, 2012

Sidewalkings. By Bret Harte


The time occupied in walking to and from my business I have always found to yield me a certain mental enjoyment which no other part of the twenty-four hours could give. Perhaps the physical exercise may have acted as a gentle stimulant of the brain, but more probably the comfortable consciousness that I could not reasonably be expected to be doing anything else—to be studying or improving my mind, for instance—always gave a joyous liberty to my fancy. I once thought it necessary to employ this interval in doing sums in arithmetic,—in which useful study I was and still am lamentably deficient,—but after one or two attempts at peripatetic computation, I gave it up. I am satisfied that much enjoyment is lost to the world by this nervous anxiety to improve our leisure moments, which, like the "shining hours" of Dr. Watts, unfortunately offer the greatest facilities for idle pleasure. I feel a profound pity for those misguided beings who are still impelled to carry text-books with them in cars, omnibuses, and ferry-boats, and who generally manage to defraud themselves of those intervals of rest they most require. Nature must have her fallow moments, when she covers her exhausted fields with flowers instead of grain. Deny her this, and the next crop suffers for it. I offer this axiom as some apology for obtruding upon the reader a few of the speculations which have engaged my mind during these daily perambulations. 

 Few Californians know how to lounge gracefully. Business habits, and a deference to the custom, even with those who have no business, give an air of restless anxiety to every pedestrian. The exceptions to this rule are apt to go to the other extreme, and wear a defiant, obtrusive kind of indolence which suggests quite as much inward disquiet and unrest. The shiftless lassitude of a gambler can never be mistaken for the lounge of a gentleman. Even the brokers who loiter upon Montgomery Street at high noon are not loungers. Look at them closely and you will see a feverishness and anxiety under the mask of listlessness. They do not lounge—they lie in wait. No surer sign, I imagine, of our peculiar civilization can be found than this lack of repose in its constituent elements. You cannot keep Californians quiet even in their amusements. They dodge in and out of the theatre, opera, and lecture-room; they prefer the street cars to walking because they think they get along faster. The difference of locomotion between Broadway, New York, and Montgomery Street, San Francisco, is a comparative view of Eastern and Western civilization.

There is a habit peculiar to many walkers, which Punch, some years ago, touched upon satirically, but which seems to have survived the jester's ridicule. It is that custom of stopping friends in the street, to whom we have nothing whatever to communicate, but whom we embarrass for no other purpose than simply to show our friendship. Jones meets his friend Smith, whom he has met in nearly the same locality but a few hours before. During that interval, it is highly probable that no event of any importance to Smith, nor indeed to Jones, which by a friendly construction Jones could imagine Smith to be interested in, has occurred, or is likely to occur. Yet both gentlemen stop and shake hands earnestly. "Well, how goes it?" remarks Smith with a vague hope that something may have happened. "So so," replies the eloquent Jones, feeling intuitively the deep vacuity of his friend answering to his own. A pause ensues, in which both gentlemen regard each other with an imbecile smile and a fervent pressure of the hand. Smith draws a long breath and looks up the street; Jones sighs heavily and gazes down the street. Another pause, in which both gentlemen disengage their respective hands and glance anxiously around for some conventional avenue of escape. Finally, Smith (with a sudden assumption of having forgotten an important engagement) ejaculates, "Well, I must be off"—a remark instantly echoed by the voluble Jones, and these gentlemen separate, only to repeat their miserable formula the next day. In the above example I have compassionately shortened the usual leave-taking, which, in skilful hands, may be protracted to a length which I shudder to recall. I have sometimes, when an active participant in these atrocious transactions, lingered in the hope of saying something natural to my friend (feeling that he, too, was groping in the mazy labyrinths of his mind for a like expression), until I have felt that we ought to have been separated by a policeman. It is astonishing how far the most wretched joke will go in these emergencies, and how it will, as it were, convulsively detach the two cohering particles. I have laughed (albeit hysterically) at some witticism under cover of which I escaped, that five minutes afterward I could not perceive possessed a grain of humor. I would advise any person who may fall into this pitiable strait, that, next to getting in the way of a passing dray and being forcibly disconnected, a joke is the most efficacious. A foreign phrase often may be tried with success; I have sometimes known Au revoir pronounced "O-reveer," to have the effect (as it ought) of severing friends.

But this is a harmless habit compared to a certain reprehensible practice in which sundry feeble-minded young men indulge. I have been stopped in the street and enthusiastically accosted by some fashionable young man, who has engaged me in animated conversation, until (quite accidentally) a certain young belle would pass, whom my friend, of course, saluted. As, by a strange coincidence, this occurred several times in the course of the week, and as my young friend's conversational powers invariably flagged after the lady had passed, I am forced to believe that the deceitful young wretch actually used me as a conventional background to display the graces of his figure to the passing fair. When I detected the trick, of course I made a point of keeping my friend, by strategic movements, with his back toward the young lady, while I bowed to her myself. Since then, I understand that it is a regular custom of these callow youths to encounter each other, with simulated cordiality, some paces in front of the young lady they wish to recognize, so that she cannot possibly cut them. The corner of California and Montgomery streets is their favorite haunt. They may be easily detected by their furtive expression of eye, which betrays them even in the height of their apparent enthusiasm.


Speaking of eyes, you can generally settle the average gentility and good breeding of the people you meet in the street by the manner in which they return or evade your glance. "A gentleman," as the Autocrat has wisely said, is always "calm-eyed." There is just enough abstraction in his look to denote his individual power and the capacity for self-contemplation, while he is, nevertheless, quietly and unobtrusively observant. He does not seek, neither does he evade your observation. Snobs and prigs do the first; bashful and mean people do the second. There are some men who, on meeting your eye, immediately assume an expression quite different from the one which they previously wore, which, whether an improvement or not, suggests a disagreeable self-consciousness. Perhaps they fancy they are betraying something. There are others who return your look with unnecessary defiance, which suggests a like concealment. The symptoms of the eye are generally borne out in the figure. A man is very apt to betray his character by the manner in which he appropriates his part of the sidewalk. The man who resolutely keeps the middle of the pavement, and deliberately brushes against you, you may be certain would take the last piece of pie at the hotel table, and empty the cream-jug on its way to your cup. The man who sidles by you, keeping close to the houses, and selecting the easiest planks, manages to slip through life in some such way, and to evade its sternest duties. The awkward man, who gets in your way, and throws you back upon the man behind you, and so manages to derange the harmonious procession of an entire block, is very apt to do the same thing in political and social economy. The inquisitive man, who deliberately shortens his pace, so that he may participate in the confidence you impart to your companion, has an eye not unfamiliar to keyholes, and probably opens his wife's letters. The loud man, who talks with the intention of being overheard, is the same egotist elsewhere. If there was any justice in Iago's sneer, that there were some "so weak of soul that in their sleep they mutter their affairs," what shall be said of the walking revery-babblers? I have met men who were evidently rolling over, "like a sweet morsel under the tongue," some speech they were about to make, and others who were framing curses. I remember once that, while walking behind an apparently respectable old gentleman, he suddenly uttered the exclamation, "Well, I'm d——d!" and then quietly resumed his usual manner. Whether he had at that moment become impressed with a truly orthodox disbelief in his ultimate salvation, or whether he was simply indignant, I never could tell.


I have been hesitating for some time to speak—or if indeed to speak at all—of that lovely and critic-defying sex, whose bright eyes and voluble prattle have not been without effect in tempering the austerities of my peripatetic musing. I have been humbly thankful that I have been permitted to view their bright dresses and those charming bonnets which seem to have brought the birds and flowers of spring within the dreary limits of the town, and—I trust I shall not be deemed unkind in saying it—my pleasure was not lessened by the reflection that the display, to me at least, was inexpensive. I have walked in—and I fear occasionally on—the train of the loveliest of her sex who has preceded me. If I have sometimes wondered why two young ladies always began to talk vivaciously on the approach of any good-looking fellow; if I have wondered whether the minor-like qualities of all large show-windows at all influenced their curiosity regarding silks and calicoes; if I have ever entertained the same ungentlemanly thought concerning daguerreotype show-cases; if I have ever misinterpreted the eye-shot which has passed between two pretty women—more searching, exhaustive and sincere than any of our feeble ogles; if I have ever committed these or any other impertinences, it was only to retire beaten and discomfited, and to confess that masculine philosophy, while it soars beyond Sirius and the ring of Saturn, stops short at the steel periphery which encompasses the simplest school-girl.


REFERENCE
URBAN SKETCHES by Bret Harte
Francis Bret Harte (1836-1902) was a prolific American author and poet, best remembered for his accounts of pioneering life in California.

LinkWithin

Related Posts with Thumbnails