Arch. Myriam B. Mahiques Curriculum Vitae

Thursday, October 25, 2012

Bee hives in New York: for honey or for concrete production?

The Rosslyn Chapel hives; photos courtesy of the Times

Amidst all type of solutions for urban farming, it disturbes me to image thousands of bees on the rooftops. More than this, there is an article about bees that could produce concrete, if they are manipulated as "special bees." See what I've found:
Organic rooftop farming is all the rage these days, with places like Roberta's and Brooklyn Grange growing vegetables and other produce just a few hundred feet above street level. And now it seems that one of the city's swankiest hotels is looking to get into the mix: the Waldorf-Astoria New York has recently installed beehives on its roof, with plans to harvest honey and help pollinate plants in midtown.
Sweet Lord!
The Episcopal bishop of New York welcomed the newest members of his congregation yesterday: a hive of 15,000 bees he hopes will provide a harvest of tasty honey and help pollinate gardens.
“May the sweetness of their honey remind us of the sweetness of your [God’s] love for them,” the Right Rev. Mark Sisk said in prayer yesterday as he blessed the hive at The Cathedral of St. John the Divine.



Last month, over at Scotland's Rosslyn Chapel, it was announced that "builders renovating the 600-year-old chapel have discovered two beehives carved within the stonework high on the pinnacles of the roof. They are thought to be the first man-made stone hives ever found."

    It appears the hives were carved into the roof when the chapel was built, with the entrance for the bees formed, appropriately, through the centre of an intricately carved stone flower. The hives were found when builders were dismantling and rebuilding the pinnacles for the first time in centuries.
As the article goes on to point out, "Although human beings have collected honey from wild bee colonies since time immemorial, at some point they began to domesticate wild bees in artificial hives, made from hollow logs, pottery, or woven straw baskets. The Egyptians kept bees in cylindrical hives, and pictures in temples show workers blowing smoke into the hives, and removing honeycombs. Sealed pots of honey were found in Tutankhamun’s tomb." 

But, combining all these stories, what about bees that make concrete honey, artificially bred and housed inside hives in the spires of buildings? Hives that they themselves have printed? 

High up on the roof of St. John the Divine sit six symmetrical stone hives, inside of which special bees now grow, tended by an architecture student at Columbia University; the bees are preparing their concrete to fix any flaw the building might have. No longer must you call in repair personnel to do the job; you simply tap the sides of your concrete-mixing beehives and living 3D printers fly out in a buzzing cloud, caulking broken arches and fixing the most delicate statuary. 

Nearby homeowners occasionally find lumps of concrete on their rooftops and under the eaves, as if new hives are beginning to form. 

Wednesday, October 24, 2012

Golden Moon. By LEAD archs


I'm sharing part of the great post at archdaily.com, an amazing temporary structure by LEAD archs.

Location: 

Architects: Kristof Crolla, Adam Fingrut
Year: 2012
Photographs: Kevin Ng, Grandy Lui, Pano Kalogeropoulos, Courtesy of , Courtesy of Hong Kong Tourism Board



" The Golden Moon is a temporary architectural structure that explores how Hong Kong’s unique building traditions and craftsmanship can be combined with contemporary design techniques in the creation of a highly expressive and captivating public event space. It is the 2012 Gold Award winning entry for the Lantern Wonderland design competition organised by the Hong Kong Tourism Board for the Mid-Autumn Festival and was on display for 6 days in Hong Kong’s Victoria Park." 

Friday, October 19, 2012

The Euro´s sculpture reflections

Trying to set aside the economic crisis, I´d like to share the beauty of the Euro´s sculpture reflections:

The European Central Bank (ECB) sculpture is reflected in a window in Frankfurt, Germany. Photographer: Hannelore Foerster/Bloomberg

The Euro sculpture is partially reflected in a puddle on a cobblestone pavement in front of the headquarters of the European Central Bank.—Reuters Photo

“Carrito”, en el Festival Internacional de Diseño. Buenos Aires


El proyecto Carrito realizado por Normal se articula en el marco del IVº Festival de Diseño de Buenos Aires 2012, organizado por el Centro Metropolitano de Diseño de la Ciudad Buenos Aires. El proyecto busca estudiar y redefinir lo que quizás es la tipología gastronómica porteña de mayor popularidad, El Carrito de Choripanes. Se podrá visitar del 19 al 21 de Octubre de 2012 en el CMD. Carrito un proyecto que busca estudiar y redefinir lo que quizás es la tipología gastronómica porteña de mayor popularidad, El Carrito de Choripanes. El proyecto la adopta para reaplicarla a nivel formal y funcional, buscando fomentar las disciplinas de diseño en el marco del Festival Internacional de Diseño de Buenos Aires, a llevarse a cabo en Octubre de 2012. 
Mediante el “tuneo” de un Carrito existente, se plantea desarrollar un móvil que recorra la ciudad, buscando impregnar el caracter popular del referente al fomento de las disciplinas del diseño local. El Carrito se transforma entonces en una plataforma móvil que lleva el diseño a la calle y por ende a la gente a través de una programación acorde a su contextura tipológica y formal.

Compartido desde:

Wednesday, October 17, 2012

Brett Herbst´s maize landscape art vs Nazca Lines


These pictures posted at inhabitat.com (Via Wired) caught my attention. Being a fan of archaeology, they vaguely reminded me of the Lines of Nazca in Peru, with the exception of the technology. Let´s read some paragraphs of two different posts to compare:


Spotted over at Wired Design, Brett Herbst might just be the King of Corn. He made his first corn maze in 1996, and since then he’s created over 2,000 spectacularly elaborate labyrinths as the founder of the company MAiZE. Using computer software, GPS technology, and a heck of a lot of imagination, Herbst has reinvented the traditional, autumn pastime into a work of art. As the one-time holder of the Guinness World Record for largest corn maize and the mastermind behind hundreds of sites across the country, Herbst has proven that he is head and shoulders above the rest of his field. As a Master of Maize, Brett Herbst puts an incredible amount of thought into each of his amazing pieces. Beginning with GPS coordinates and CorelDRAW design software, he marks out fields on a grid system that ranges in size from anywhere between 8-60 acres. Once marked out with flags, he spray-paints dots on the ground to indicate where the cuts in the corn crop should be made. Herbst’s crew then carves out the pathways with rototillers and riding lawn mowers. As if gigantic vegetable portraits of President Obama or Star Wars scenes were not enough to impress, Herbst also features words in the overall design of his mazes. He sometimes even uses “reverse cuts” in which the cornstalks themselves form blocked letters, creating positive space in the overall image.



The Nazca Lines are a series of geoglyphs located in the Nazca Desert, a high arid plateau that stretches 53 miles or more than 80 kilometers between the towns of Nazca and Palpa on the Pampas de Jumana in Peru. They were created by the Nazca culture between 200 BC and AD 700. There are hundreds of individual figures, ranging in complexity from simple lines to stylized hummingbirds, spiders, monkeys and lizards. The Nazca lines cannot be recognized as coherent figures except from the air. Since it is presumed the Nazca people could never have seen their work from this vantage point, there has been much speculation on the builders' abilities and motivations.
(....) 
Since their discovery, various theories have been proposed regarding the methods and motivations underlying the lines' construction. The archaeological explanation as to who made them and how is widely accepted; namely that the Nazca people made the lines using simple tools and surveying equipment. Wooden stakes in the ground at the end of some lines (which were used to carbon-date the figures) and ceramics found on the surface support this theory. Furthermore, researchers such as Joe Nickell of the University of Kentucky, have reproduced the figures using the technology available to the Nazca Indians of the time without aerial supervision. With careful planning and simple technologies, a small team of individuals could recreate even the largest figures within a couple of days.

From:

Nazca Monkey. Picture by Maria Reiche

Saturday, October 13, 2012

Europe's Most Advanced Wooden Architecture - international conference in Umeå 21st-22nd November



Around the world, the construction industry begins to understand the value of wood, a renewable material that grows just outside our doorstep. What role will wood play for sustainable architecture, industry, science, economy and societies? It is about time for Sweden to look into the process from plant to product! These issues are dealt with in WOOD 2013, which opens at Virserum Art Museum 5th May 2013.


At the international conference at Umea School of Architecture you can listen to the idea of some of the foremost in Europe on wood and wooden architecture. Walter Unterrainer, Hubert Reiss, Herman Kaufmann, Véronique Klimine and Pekka Heikkinen are some of the speakers. Wood and wooden architecture in sustainable cityplanning is another issue.

Friday, October 12, 2012

World Habitat Awards



The World Habitat Awards were established in 1985 by the Building and Social Housing Foundation as part of its contribution to the United Nations International Year of Shelter for the Homeless. Two awards are given annually to projects that provide practical and innovative solutions to current housing needs and problems. Every year an award of £10,000 is presented to each of the two winners at the annual United Nations global celebration of World Habitat Day.


How to Enter

Introduction


Projects & approaches are sought that …
  • Demonstrate practical, innovative and sustainable solutions to current housing issues faced by countries all around the world.
  • Can be transferred or adapted for use as appropriate.
  • View the term habitat from a broad perspective and bring other benefits as well, such as energy or water saving, income generation, social inclusion, community and individual empowerment, capacity building or education.
The World Habitat Awards (WHA) competition has a two-stage entry process:

Stage I submissions need only comprise a summary of the key aspects of the project. From these preliminary submissions, ten projects are selected by an Assessment Committee to go forward to Stage II of the competition.

Stage II submissions are evaluated by an independent advisory group before being put to a panel of international judges, which includes the Executive Director of the United Nations Human Settlements Programme (UN-HABITAT) and the Rector of the United Nations University, Tokyo. Evaluation visits are carried out to some of the projects prior to the final judging.

PLEASE NOTE THAT: All Stage I submissions of the 2012 competition have been assessed and everyone who made a submission has been notified about the results.

If you would like to submit to Stage I of the WHA 2013 competition, your submissions must be received by 1st November 2012.

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